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Annabel Martín

Associate Professor of Spanish and Portuguese, Comparative Literature, and Chair of Women’s and Gender Studies Program

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Departments and Programs

  • Comparative Literature
  • Spanish and Portuguese
  • Women's and Gender Studies

Related Links

Contact Information

Email: annabel.martin@dartmouth.edu

Phone: 603-646-2599

Hinman Box: HB 6072

Education

  • Licenciada Degree in English-Spanish Philology, Universidad de Deusto, Bilbao, Spain; M.A. University of Oregon; Ph.D. University of Oregon

Areas of Expertise

  • Contemporary Spanish literature and cultural studies; Spanish film; Basque culture; feminism in Spain, mass culture and politics, nationalism and dictatorship, globalization and immigration in Spain

Selected Works

  • La gramática de la felicidad: Relecturas franquistas y posmodernas del melodrama , (2005).
  • “Paisajes de justicia maternal: el veto de eros en la polis del nacional-catolicismo,” in Los Hábitos del deseo: Formas de amar en la modernidad, C Riera, et al. (eds.), (2005).
  • “Basque Postnationalism, Identity Politics, and the Reconfiguration of Transgression in Arantxa Lazcano’s Urte Ilunak (The Dark Years) ,” in Bridging Continents: Cinematic and Literary Representations of Spanish and Latin American Themes , N Glickman and A Varderi (eds.), special edited volume of Chasqui: Revista de Literatura Latinoamericana , 2 (2005) 95-108.
  • “A Corpse in the Garden: Bilbao’s Postmodern Wrappings of High Culture Consumer Architecture,” Arizona Journal of Hispanic Cultural Studies , 7 (2003) 213-230.
  • “Fictions of Equality: National Epic and Women Filmmakers during the Early Franco Regime,” in Hispanic Issues: Women’s Narrative and Film in Twentieth-Century Spain , O Ferrán and K Glenn (eds.), (2002) 59-74.

Current Projects

  • Modulations/Modulaciones/Modulazioak: Rethinking Cultural and National Identity within the New Basque City; “May We Rest in Peace: Basque Funerals of Utopia (the Case of Julio Medem and Bernardo Atxaga);” "Me duele el otro: Género, melodrama y la política de la memoria en La vida secreta de las palabras "